M.S.Dhoni: No Story Told

In Ramoji film city, people click photos with their head jutting out of the face of one of Ravan's ten faces. Some people photoshop themselves shaking hands with Amitabh and Sachin or hugging Deepika Padukone. This is how one feels when he sees Sushant Singh Rajput's face morphed into Dhoni's when he is surrounded by other Indian cricketers. We do not know who to feel sorry for. Dhoni or Sushant. Apart from such morphological changes, the movie, MS Dhoni: the untold story has other routine, illogical stuff like a failed love story and a hasty marriage both which are in the movie for an obvious reason: songs. The movie is more about Sushant's imitation of Dhoni than the story of Dhoni himself. It is very good as a movie, a three hour magic well weaved by Neeraj Pandey but it somehow does not look like a great biography. That makes one think whether Dhoni's life achievements so far have content enough to fit in a bollywood movie.

Seriously, the way we in India are making biopics is not satisfactory. Are we so short of legends that we have to make biographies of young cricketers or are the players scared of the eventual thing that is being forgotten by people? Today, not even a cricket aspirant would recognise G.R.Viswanath if he even enters the Chinnaswamy stadium. While it is Attenboroughs and Browns who make movies on legends like Gandhi and Ramanujan, we in India make movies on olympic bronze winning and cricket world cup winning athletes. Every person has his/her own story and every athlete has immense hard work and perseverance behind success. It would not be a surprise if tomorrow a movie is made on the life of Hardik Pandya or Sania Mirza. It is quite shameful that no Indian film director could make a movie on our first prime minister, Pandit Jawaharlal Nehru. None of the people care because we are all too engrossed in trying to find evidence for something the army had done to protect us. Of course, when the public has such volatile memory, why do movie producers want to dig old stories when they can make money on existing 35 year old 'legends' who successfully captained winning teams. It would be an easy way out for Dhoni as well because, thirty years down the lane, it is highly unlikely that a film director would consider making a movie about him.

The known story

Having said about the unnecessity of a movie on M.S.Dhoni, the making of a fine movie needs a mention. MS Dhoni: the untold story is any other movie with an added feature that it is about Dhoni. While the first half of the movie talked about Dhoni's passion towards playing cricket for India, post interval was all about what people already know about. While time was devoted to show his achievements as a captain like the 2007 world cup final and 2011 final, the movie fails to show many other memorable victories that Dhoni had brought us through his batting talent. He was a wicket keeper-batsmen before he became a captain. The movie also showed his feuds with senior players but neglected his friendly character and his extraordinary show of respect to elders in his first test match as captain. Music did the magic for the movie. The background score brings in more passion on the part of the audience towards Dhoni. There should have been more time devoted to the way Saurav Ganguly selected Dhoni to the playing XI for the India-Pakistan match at Visakhapatnam. There is no mention about his wicketkeeping talent nor his father selling his scooter to buy Mahi his first cricket kit.
Yes, there was no story told about MS Dhoni. It is just a recollection of some of Dhoni's old and famous matches with a good background music and excellent imitation by Sushant Singh Rajput. Dhoni will be a happy man. So will be his fans.

Kaaka Muttai brothers and co

For the last few decades, Tamil cinema has risen to its zenith. There have been a lot of creative movies, good directors, good actors, nice music directors and powerful producers. Already, south India is recognised as Tamil with the popular politics and that strengthened with creative cinema. It might take quite some time for Telugu to be recognised better, especially because of the dearth of movies like Kaaka Muttai in telugu.

Kaaka Muttai is a lovely film in which two young, poor siblings realise their dream of eating a pizza. Every part of the movie was a beauty, there was little exaggeration which we generally see in any tamil movie. The movie is crisp and to the point always. But what is the most intriguing is the entrepreneurial qualities of the two youngsters. They have a goal: getting their pizza. They work towards it severely, not realising the number of entrepreneurial ideas that they have created in the process. One more nice thing is that, in the process, they never lie or resort to wrong doings. Thanks to their mother and grandmother.

First, making friends at the right place. They never play cricket with other kids. They do their regular hunt and go for their coal picking. Here, they make friends with the 'power house.' Of course, for such pickers, who is more powerful than a gangman? They also make good friends with a kid from a richer background. For their rich dreams to be realised, who else should they make friends with? A boy jealous of them because they get to eat a cadbury chocolate once a week? They get valuable inputs from this richer kid and use them in their hunt for a pizza. This is one of the most important things for an entrepreneur or any body in fact. Interacting with people powerful than oneself is necessary to rise in the ranks in any field.

Secondly, they try all methods to get money to buy their pizza. They work extra hours to get coal. They only take the coal from the wastage area only when they are shown it. They don't go looking for illegal ways to get money. They carry drunk people home, a great idea, because you are sure of so many customers. Pamphlet distribution and what not, including Pani Puri exchange, a brilliant execution of business plan on customers who are ignorant. None of them wrong doing. Great fund raising. Another very important aspect for any business to survive. They are excellent at these two things. Well, you get stupid sometimes while you are fundraising, like trying to sell a street dog for 25,000 rupees. But that was innocence.

Most importantly, they are honest and outspoken. They know what they know and how NOT to reach their target which is much more important than just knowing how to reach the target. Their honesty is clear when they don't resort to stealing phones from trains like the other kids do. And oh! they all acted superbly. After its is a movie.

Bahubali - the beginning

Telugu is the third largest language in the country in terms of native speakers. But how famous is it? How many Telugu movies/directors have become famous all across the country when people belonging to the Tamil industry like Manirathnam and Rahman have carried their works to Hindi too. When was a Telugu movie discussed even in states like Punjab as the movie 'Robot' was? There probably was never such a Telugu movie. But now there is. Bahubali is the movie that is hot favourite of even the North Indians.

I watched the movie in Delhi to see how the response was for the movie.
It was excellent. Obviously, the huge promotions of the movie led to the large response it got across the country. I was convinced that this movie is a marketing genius. Be it roping in Karan Johar to present the film in Hindi or taking into the audience the fact that the movie is the costliest and the largest Indian motion picture worked wonders for the movie makers. The response was tremendous and of course the movie did not disappoint. Not a bad movie despite a sorrowful story and indecency on part of the protagonist!

Rana Daggupati as Bhallaladeva was brilliant in the movie

This is a special cinema especially when Telugu movies are increasingly depending on comedy for success. The movie only works on its taking. There is absolutely nothing new in terms of the story. It is that most common folklore story where two princely brothers fight for the throne. But that is the last thing one has to worry about. Apart from an unnecessary molestation of a warrior lady by the hero, the movie had nothing new in terms of scenes. It is the production value of the movie that impresses the most. The carefulness with which the movie is made is great. It is clear that neither the producers nor the director or the entire cast were in a hurry to complete the movie. It took them two years to complete the movie. This coolness in shaping up the movie is seen in the smooth flow of the scenes. The actors were all good and it is not the first time in a Rajamouli movie that the antagonist has impressed much more than the hero! The picturisation of the Chalakudy falls was beautiful!

The movie is not a trend setter like Magadheera was. One should watch it without comparing it to any other movie. This actually followed the new trend of creating complete new language. The sets which took 200 days for construction will probably be used better in the next part of the movie. But kudos to the producers of the movie. They are the highlight of the film. I have not known a producer who kept a careful ledger of the happenings of a movie. probably for Sholay? We all can look forward for a nice book on the 'Making of Bahubali.' The producers are keen on getting back the money spent. They have earned it well.

This movie can be a nice research project for management students. And Kamal Hasan can take a leaf or two out of their books for promoting Viswaroopam 2.
Bahubali is a movie which can be watched for all the hype built around it. Do not try to search for logic. One will need an atomic force microscope for that! Just marvel at what Indian film has achieved! This is an indigenous marketing and graphical genius!